Filmed in more than 20 states, THE HOUSE I LIVE IN captures heart-wrenching stories from individuals at all levels of America’s War on Drugs. Watch Live House Proceedings. It's available to watch. View UCBerkeleyOfficial’s profile on Instagram, View UCZAXKyvvIV4uU4YvP5dmrmA’s profile on YouTube, California farmworkers hit hard by COVID-19, study finds, Berkeley Law creates protocol to use social media as evidence for war crimes, William Clemens, expert on fossil mammals, dies at 88, Berkeley professor Nikki Jones wins national award for criminology research, Five Berkeley top scholars named AAAS fellows, I’m a Berkeleyan: Dalia Perez Rangel on breaking the cycle in Coachella Valley, Meet our new faculty: Sarah E. Chasins, electrical engineering and computer sciences, How compelling photographs can change the course of history, Berkeley Talks: How Mary Shelley’s ‘Frankenstein’ took on a life of its own, Berkeley Talks: Portraits of power: Women of the 116th Congress, Kamala Harris’s rise, multicultural roots and challenges, Chakrabarti: ‘Our long national nightmare is over… For now’, Why violence re-emerged in Armenia-Azerbaijan conflict. Eminently watchable, maybe that isn't such a problem but it takes out the enjoyment away when one can't hear the dialogue, Reviewed in the United Kingdom on December 18, 2017. Select the department you want to search in. The only thing that I found disappointing was the fact that there was no sub-titles with this DVD. It also analyzes reviews to verify trustworthiness. Reviewed in the United States on March 30, 2015. No, as this film so clearly explains there are other forces at work aside from the personal choice of individuals, in fact personal choice seems to be one freedom that has disappeared in some of the city areas highlighted here. The middle class is being slowly destroyed also by the financial institutions and corporations. Directed with heart by Eugene Jarecki, … The film is a mixture of the film makers personal experiences and a fairly broad-brush account of the politics and racism that influenced the 'war', and also follows a few other victims of the policy that's resulted in the US (5% of the world population) locking up 25% of the entire imprisoned people on Earth within it's own boundaries. At the Atlantic earlier this week, Sidney Fussell reported on Airbnb’s policies toward hosts installing cameras to observe their customers and the platform’s apparent ambivalence about enforcing them. Best documentary I have seen on the subject. Leti Volpp, professor of law and director of the Center for Race & Gender, explained that the legacy of these discriminatory practices is visible in the city of Berkeley, pointing to restrictive covenants that segregated it. “Which side of the racial divide you found yourself on … A really stunning look at reality for those who have bought into the villainization of drug users and sellers that has been the norm of American media and entertainment for decades. I feel our Government is under the control of corporations thru the lobbyist donations for changing laws in favor of corporations. Copyright © 2020 UC Regents; all rights reserved. Omi observed that the debates in this country — which today is at a critical inflection point — reached a colorblind consensus following civil rights era reforms. It's only a criminality and a moral issue because quite honestly, the entire justice system would collapse in on itself if EVERYONE got clean and sober at once. The House I Live In, directed by Eugene Jarecki, is a 2012 documentary film about the War on Drugs in the United States. There, you can find more resources about the documentary and racial education, as well as transcripts from previous panels. The solutions are already there, Corburn continued, but we need to listen to people who speak from firsthand experiences of racism. Generations of racism shaped the structures of the United States, working into the very DNA of our institutions and culture. that followed a screening of Part 3 of the documentary. Directed by Eugene Jarecki. “We have to affirmatively think about … the structures and systems that promote the outcomes we want,” john a. powell, a Berkeley professor of law and African American studies said during a live, online panel discussion that followed a screening of Part 3 of the documentary, Race — The Power of an Illusion. In the beginning, the video talked about how the immigrants often worked the hardest, poorest paying and most dangerous jobs. This film should be compulsory viewing for the lock them up/throw away the key types like Peter Hitchens; because in many parts if the USA they do just that, and does it solve or even reduce drug problems? Today President Obama shortened the prison sentences of low-level drug offenders whose sentences would have been shorter if they were convicted under today’s laws. In the world of the hearing, maybe that isn't such a problem but it takes out the enjoyment away when one can't hear the dialogue! Eyes: round or almond, blue, black, brown. The issues of mandatory sentencing (three strikes and you're out and the Rockefeller drug laws) and the funding of policing through seizures of assets on the slimmest of grounds is well explained. From the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of U.S. drug policy. Sorry, your blog cannot share posts by email. The last episode called "The House We Live In" highlighted a lot of information that I was unaware of before watching it. It reveals how our social institutions "make" race by disproportionately channeling resources, power, status and wealth to white people. The House I Live In is a live album featuring saxophonists Archie Shepp and Lars Gullin recorded at the Jazzhus Montmartre in Copenhagen, Denmark on November 21, 1963 and released on the Steeplechase label in 1980. This is a topic we explored in The House I Live In, a documentary that adds up the true cost of America’s war on drugs. The third and final episode of the docuseries, “The House We Live in,” charts the history of American citizenship and identity as it is constructed around whiteness.
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