best movies of the 1940s

135 min Laurence Olivier, It is impeccable in every sense. This amazing, dizzyingly paced screwball comedy by Howard Hawks stars Cary Grant and Rosalind Russell, and takes us back into two of the decade’s hallmark preoccupations: The “remarriage comedy” and the intrigue and obsessiveness of the newspaper world. There’s espionage. | | Tim Holt, While there he befriends an undercover fed (Edmond O’Brien, whose other noirs include The Hitch-Hiker) bent on nailing him for greater crimes. Katharine Hepburn, When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself. The Great Dictator – 1940; directed by Charles Chaplin; starring Charles Chaplin, Paulette Goddard, … It not only dominates the background music, but it pops in in the narrative of the film—it’s the record on the phonograph; it’s the song the band is playing at the coffeeshop; it’s playing at the journalist’s party. The year 1940 in film involved some significant events, including the premieres of the Walt Disney films Pinocchio and Fantasia Contents 1 Top-grossing films (U.S.) His first feature, Citizen Kane earned him the ire of the influential media mogul William Randolph Hearst. | Title Screen : Film Genre(s), Title, Year, (Country), Length, Director, Description : All About Eve (1950), 138 minutes, D: Joseph L. Mankiewicz Much-loved, lengthy, acerbic drama of theatre life about a young actress who insinuates her way into Broadway stage star's life. Dumbo (1941) Stars: When the pastor’s son (Preben Lerdorff Rye) from his first marriage returns home, Anna is smitten, and the two carry on a clandestine love affair amidst a time in which every action, however benign, can be dissected to reveal supernaturally nefarious doings. | Director: Joan Greenwood, Passed —Andy Crump. —A.C. Shop for 1940s DVD Movies at Best Buy. Rebecca won Best Picture at the … Ingrid Bergman, Inspired by Niezsche’s Ubermensch concept and the idea of the “perfect murder,” two college students kill a classmate simply to prove they can and then host a dinner party for their victim’s friends and family to see if they’ll catch on. It’s one of those films that really send you to another dimension. Together they pop, but no matter how brightly they might shine, Out of the Past remains a masterwork coated in darkness from page to screen. Paul Henreid, 158,167 Stars: Trust is a choice, a leap of faith—and not always rewarded. —Amy Glynn, If you want to know what an artist’s critique of postwar censorship in Allied-occupied Japan looks like, just watch Yasujiro Ozu’s Late Spring and keep your eyes peeled for the Coca Cola sign. Rhonda Fleming, Not Rated © 2021 Paste Media Group. This list consists of all different movie genres, but each film was released in 1930. | Gross: Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames. As a result, it took home the Oscar for Best Picture in 1940. | Gross: Jack Benny, We love what we love, and for some of us it’s romantic comedies and for others it’s monster movies, while for others it’s about this cinematic innovation or that groundbreaking foray into previously unexplored subject matter. Stars: If you’ve heard Bruce Springsteen’s tribute to the film but you haven’t seen the film yourself, carve out two hours and bask in the undying power of one of the most important movies produced by the American film industry. These are my favorites and I’ll categorize them in three ways: 1. 102 min Robert Stack, | —J.V. Sophia Loren and the great Marlon Brando made their debuts on-screen in 1950. Joan Fontaine, —A.G. In another example of how the repressive Production Codes of the time gave rise to a much more exciting scene than he might otherwise have made, Hitchcock got around the “no kisses longer than three seconds” by breaking the performers apart every three seconds for some kind of embrace and then resuming the kiss. Vittorio de Sica’s vision hits all the notes of the Italian Neorealist style Pioneered by Roberto Rossellini – the story is simple, the characters are relatively simple (some aren’t actors at all; Enzo Staiola, who plays the man’s son and cohort, was plucked off the sidewalk), and there is a focus on the quotidian lives of working class people and the unemployment and poverty that plagued Italy in the postwar years. The plot is simple: A woman (Judy Holliday) shoots and injures her cheating husband (Tom Ewell) after catching him in the act, so District Attorney Adam must represent the prosecution (cheating asshole) while Amanda, energized by her husband’s blindness regarding a woman’s helplessness when it comes to adultery, takes up the defense. | Emeric Pressburger Huston uses a light hand to illuminate some pretty dark corners of human instinct, and Humphrey Bogart is marvelous as Fred Dobbs, a man destroyed by lust and paranoia as we watch. Like Double Indemnity, Michael Curtiz’s Mildred Pierce succeeds on the strength of its leading lady; in this case that’s the immortal Joan Crawford, who plays the film’s central character, not to mention all of its heart and soul. | | Akira Kurosawa shoots every scene in the pursuit of making his audience swelter, yanking us into the frame and effectively immersing us in his neorealist depiction of Tokyo. The great granddaddy of all convoluted noirs, The Big Sleep fully embodies every single identifying feature of Raymond Chandler’s writing: dialogue that sears itself into viewers’ brains, rough-cut men, seductive femme fatales, plenty of violence, a respectable body count, and enough plot curveballs to give even the most accomplished noirs twist envy. Top Movie Stars 1940-1949 Main Table The really cool thing about this table is that it is “user-sortable”. | When you think of Italian neorealist cinema, your mind probably zips straight right on over to Vittorio De Sica’s Bicycle Thieves, a beautifully made movie about the harsh realities of life in postwar Italy. Drunken Angel (1948) Pretty much everything about this movie is a pure delight, and the script is a masterpiece. These top movies of 1940 are listed by popularity, so the movies with the most votes are at the top. —A.G. Erotically supercharged hijinks ensue. —A.C. 75 min Chaos, stampedes, duels, shifting loyalties-and an unfortunately pat ending in which both men are basically chastened by a woman and forced to remember that they love each other. Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains. 88 min Go on: be cynical. Aren’t mob heavies supposed to be intimidating? It’s a trajectory that will seem pretty traditional when it comes to stories like this—a clear progenitor is Citizen Kane, replete with Rossen’s dedicated eye to following the film’s god-like politician, Willie Stark (Broderick Crawford), as he both attains and, especially, freefalls from grace—but with a contemporary sense of cynicism when it comes to the American political landscape, it helps to get a reminder, if melodramatic, that corruption and power have always been blasphemous bedfellows. The scene with a young woman walking home on a dark night, stalked by an unseen presence, builds to an unexpected conclusion that must have made audiences in 1942 come jumping out of their seats. Don’t even think about checking your phone while you’re watching this. If you’re a fan of the screwball niche of comedy filmmaking, you have to know Sullivan’s Travels, one of the best examples of its category; screwball movies aren’t simply about zaniness but energy, inertia, momentum, the snowballing power of a silly premise when backed by an intelligently designed madness. Ultimately Clarence jumps into the river before George can do it; activating the suicidal man to save Clarence rather than kill himself. When Dr. Anthony Edwardes (Gregory Peck) takes over as director of the hospital where the remote and emotionally null Dr. Constance Petersen (Ingrid Bergman)  works, Petersen quickly realizes something is amiss with Edwardes, and it quickly comes to light that he isn’t Edwardes at all and that he is suffering amnesia. The American occupation whitewashes and corrupts Japanese culture in equal measure, and Drunken Angel captures it all with deft humanism. | Gross: —A.G. 57,137 On the surface a murder mystery revolving around yet another archetype, that of the titular MacGuffin, The Maltese Falcon is in essence a character study, a definitive assurance of masculinity and the cool objectivity it entails, by way of one Sam Spade. 80 min William Wyler directed this adaptation of a stage drama by Lillian Hellman, who also wrote the screenplay. —A.G. Stars: $10.90M, Passed Regardless, Cat People was a populist hit in its day before being reevaluated decades later as a landmark of ’40s horror. | He and his son set out to find it. A film stuck in time, place and temperament, Miracle on 34th Street is one of the two heavy favorites, along ith It’s a Wonderful Life, in the battle for the title of “greatest Christmas movie ever,”.

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