how did bill evans die

Stark geprägt von Vorbildern wie Lennie Tristano sowie vom Impressionismus Claude Debussys und Maurice Ravels brachte Evans eine introvertierte und lyrische Sensibilität in den Jazz. [47], Evans in interview with George Clabin, 1966[33]. In 1965, the trio with Israels and Bunker went on a well-received European tour and recorded a BBC special. Russell wrote a suite for orchestra, "All About Rosie", that featured Evans, among other soloists. In 1973, while working in Redondo Beach, California, Evans met and fell in love with Nenette Zazzara, despite his long-term relationship with Ellaine. Evans returned to the scene as a leader in December 1958 with the album Everybody Digs Bill Evans, which included the famous "Peace Piece," a haunting vamp for solo piano that sounds like a long-lost Satie Gymnopedie. Then Russell assembled trumpeter Art Farmer, guitarist Barry Galbraith, bassist Milt Hinton and Evans for three recording dates, along with rehearsal sessions. [47], On September 15, 1980, Evans, who had been in bed for several days with stomach pains at his home in Fort Lee, was accompanied by Joe LaBarbera and Verchomin to the Mount Sinai Hospital in New York City, where he died that afternoon. The brief, nine-month partnership of Miles Davis and Bill Evans yielded some of the most sublime and … Read More "Miles Davis and Bill Evans: Miles and Bill in Black & White" To access this content, you … At 22 years old Laurie had already begun her big adventure, exploring the free love of the 1970s and all that North American society had on offer. [27] During this period he began using recreational drugs, occasionally smoking marijuana. For me, comparing electric bass to acoustic bass is sacrilege. [47] The cause of death was a combination of peptic ulcer, cirrhosis, bronchial pneumonia, and untreated hepatitis. [3] During that time, Evans was also playing with Chet Baker for the album Chet. William John Evans (better known as Bill Evans) was one of the most famous and influential American jazz pianists of the 20th century. On September 15, 1980, Evans, who had been in bed for several days with stomach pains at his home in Fort Lee, was accompanied by Joe LaBarbera and Verchomin to the Mount Sinai Hospital in New York, where he died that afternoon. Several bassists were tried, with Michael Moore staying the longest. For example, Peter Pettinger has pointed out that in a recording, for his solo on a tune named "Walkin'", Evans received noticeably less applause than the other soloists, and for that on "All Of You", none at all. He quickly developed a fluent sight-reading ability, but Leland considered Harry a better pianist. Bill's cause of death was ulcera. [8][9] He had a brother, Harry (Harold), two years his senior, to whom he was very close. THE BIG LOVE Life & Death with Bill Evans can be purchased on Amazon. [43], Evans returned to the Davis sextet in early 1959, at the trumpeter's request, to record Kind of Blue, often considered the best-selling jazz album of all time. [34] This year, Evans won the Down Beat International Critics' Poll for his work with Davis and his album New Jazz Conceptions. [47], While Evans considered himself an acoustic pianist, from the 1970 album From Left to Right on, he also released some material with Fender-Rhodes piano intermissions. [34][35] While the band used to play a mixture of jazz standards and bebop originals, by that time Davis had begun his venture in modal jazz, having just released his album Milestones. Musical theatre pieces such as “Someday My Prince Will Come” and “My Favorite Things” became in his hands bold rhythmic and chromatic experiments. Evans, who was already acquainted with these ideas, began to work with Russell in 1956. See more ideas about Bill evans, Jazz, Jazz musicians. [13] During high school, Evans came in contact with 20th-century music like Stravinsky's Petrushka, which he called a "tremendous experience", and Milhaud's Suite provençale, whose bitonal language he believed "opened him to new things." He met singer and bassist Bill Scott and Chicago jazz pianist Sam Distefano (his bunkmate in their platoon), both of whom became Evans's close friends. Better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. Both influences coalesced in Davis' conception of modal jazz offering an alternative to chord changes and major/minor key relationships, relying instead on a series of modal scales. In early 1960, the trio began a tour that brought them to Boston, San Francisco (at Jazz Workshop club), and Chicago (at the Sutherland Lounge). [56] Fellow musicians paid homage to the late pianist in the first days of the 1980 Monterey Jazz Festival, which had opened that very week: Dave Brubeck played his own "In Your Own Sweet Way" on the 19th, The Manhattan Transfer would follow on the 20th, while John Lewis dedicated "I'll Remember April". A few days later, he had to be taken to Mount Sinai Hospital on September 15, 1980, where he died from a bleeding ulcer, cirrhosis of the liver and bronchial pneumonia. Many of his tunes, such as "Waltz for Debby", "Turn Out the Stars", "Very Early", and "Funkallero", have become often-recorded jazz standards. Entdecken Sie Veröffentlichungen von Bill Evans auf Discogs. by Keith Shadwick | Mar 1, 2002. With this group Evans's focus settled on traditional jazz standards and original compositions, with an added emphasis on interplay among band members. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists. [64] Another characteristic of Evans's style is rhythmic displacement. Forgotten Jazz Orchestras: Billy Eckstine. In mid-1959 Scott LaFaro, who was playing up the street from Evans, said he was interested in developing a trio. Like many, the pull of the Big Apple (New York) was irresistible and I still find it amazing to reflect as did Laurie, that we could just bunk down on someone’s couch until we’d exhausted our stay! Sometime during the late 1950s, most probably before joining Miles Davis, Evans began using heroin. Evans was selected by the Rochester Royals in the fifth round of the 1955 NBA draft, a year before he won gold with the U.S. at the 1956 Olympics in Melbourne, Australia, with Naismith Memorial Hall of Fame teammates Bill Russell and K.C. Evans habitually had to borrow money from friends, and eventually, his electricity and telephone services were shut down. Though he recorded many albums for Verve, their artistic quality was uneven. The three relocated to New York City, but their inability to attract bookings prompted them to leave for Calumet City, Illinois. "[34] He commented that electronic music: "just doesn't attract me. [10] After releasing the album, Evans spent much time studying J. S. Bach's music to improve his technique. Finally, in late June 1961 the trio recorded two albums, Sunday at the Village Vanguard, and Waltz for Debby. "If I am going to be sitting here playing roots, fifths and full voicings, the bass is relegated to a time machine." Whether you’re a fully fledged Bill Evans aficionado or want to delve deeper into his life this book should be on your bookshelf. This is where she meets Bill for the first time, and her initial impression of him, and his of her! Paperback $27.59 $ 27. Be the first to answer this question. He became addicted to cocaine shortly before his death in 1980. He was fascinated with Eastern religions and philosophies including Islam, Zen, and Buddhism. According to Evans: "What happened was that I started to play the introduction, and it started to get so much of its own feeling and identity that I just figured, well, I'll keep going." [28], Evans was discharged from the Army in January 1954, and entered a period of seclusion triggered by the harsh criticism he had received. "[74], Many of Evans's critics have commented on his detachment from the original black roots of jazz, believing that the European and classical traditions are of much greater import. Evans regarded his last three years in college as the happiest of his life.[24]. [10][46] Evans also penned the liner notes for Kind of Blue, comparing jazz improvisation to Japanese visual art. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. The music of Bill Evans continues to inspire younger pianists including Fred Hersch, Bill Charlap, Lyle Mays, and Eliane Elias[75] and arguably Brad Mehldau[76] early in his career. In 1961, Scott LaFaro, Evans’ bassist, was killed in a car crash at the age of 25. He soon dropped those instruments, but it is believed they later influenced his keyboard style. While Davis was not very satisfied with the performance, he said that from then on, Evans was the only one to play it in the way he wanted. [30] A week before the festival, the piece was previewed on TV, and Evans's performance was deemed "legendary" in jazz circles. 52. [15], The band's mostly black followers did not react favourably to the replacement of the charismatic Garland with a white musician. With new bassist Chuck Israels, they recorded in December Nirvana, with flautist Herbie Mann,[6] soon followed by Undercurrent, with guitarist Jim Hall. There is no more influential jazz-oriented pianist—only McCoy Tyner exerts nearly as much pull among younger players and journeymen. He hosted a jazz program on the camp radio station and occasionally performed in Chicago clubs, where he met singer Lucy Reed, with whom he became friends and later recorded. [10] Even though never legally married, Bill and Ellaine were, in all other respects, husband and wife. [42], One of the pieces to appear on the album was Leonard Bernstein's "Some Other Time". Jones. [2] His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. In parallel, Evans kept up his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December 1956–January 1957, and recording The Complete Tony Scott. Bill Evans ist der Name folgender Personen: . The Bill Evans Album - Evans, Bill: Amazon.de: Musik Wählen Sie Ihre Cookie-Einstellungen Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung anzuzeigen. One of these was "Comrade Conrad", a tune that had originated as a Crest toothpaste jingle and had later been reelaborated and dedicated to Conrad Mendenhall, a friend who had died in a car accident.[53]. Elsa bill evans - Der absolute Testsieger unter allen Produkten. Many of these were dedicated to people close to him. Find album reviews, stream songs, credits and award information for Bill Evans - Bill Evans on AllMusic - 2010 Sadly nobody could save him. Editor’s note: Bill Evans jazz music continues to enrich my life. After the Complete sessions, Scott left for a long overseas tour. Philly Joe Jones has been cited as an especially bad influence in this aspect. ","info":"Some track listings on the back of the album are incorrect:\r\ntrack 2 \\\\\\'Gary\\\\\\'s Theme\\\\\\' should be \\\\\\'Laurie\\\\\\'\r\nThanks to Laurie Verchomin to use Bill\\\\\\'s score \u00a9\r\n\r\nBill Evans piano\r\nMarc Johnson bass\r\nJoe LaBarbera drums\r\n\r\nYellow Note records 1989","thumbImg":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2019\/04\/Paul-Jost-Simple-Life-Pre-Roll-TN.jpg","youtubeID":"dDDzEPPC_jk","prerollAD":"yes","prerollGotoLink":"http:\/\/bit.ly\/2D5gFvz","preroll_mp4":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2019\/04\/Paul-Jost-Simple-Life-Ad-1.mp4","prerollSkipTimer":"10","midrollAD":"no","midrollAD_displayTime":"midrollAD_displayTime","midrollGotoLink":"midrollGotoLink","midroll_mp4":"midroll_mp4","midrollSkipTimer":"midrollSkipTimer","postrollAD":"no","postrollGotoLink":"postrollGotoLink","postroll_mp4":"postroll_mp4","postrollSkipTimer":"postrollSkipTimer","popupAdShow":"no","popupImg":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2013\/01\/Jazz-Republic-Radio-Leaderboard.jpg","popupAdStartTime":"12","popupAdEndTime":"20","popupAdGoToLink":"https:\/\/twitter.com\/Jazzineu"}],"submit":"Save Changes","instanceTheme":"light","playerLayout":"fitToContainer","videoPlayerWidth":1006,"videoPlayerHeight":420,"videoRatio":1.7777777777778,"videoRatioStretch":false,"videoPlayerShadow":"effect3","colorAccent":"#ff9100","posterImg":"","posterImgOnVideoFinish":"","logoShow":"Yes","logoPath":"https:\/\/jazzineurope.mfmmedia.nl\/wp-content\/uploads\/2018\/08\/JIE-Logo-New-White-Final-Video-Player.png","logoPosition":"bottom-left","logoClickable":"Yes","logoGoToLink":"https:\/\/jazzineurope.mfmmedia.nl\/2018\/07\/bill-evans-an-insight-into-a-genius\/","allowSkipAd":true,"advertisementTitle":"Advertisement","skipAdvertisementText":"Skip advertisement","skipAdText":"You can skip this ad in","playBtnTooltipTxt":"Play","pauseBtnTooltipTxt":"Pause","rewindBtnTooltipTxt":"Rewind","downloadVideoBtnTooltipTxt":"Download video","qualityBtnOpenedTooltipTxt":"Close settings","qualityBtnClosedTooltipTxt":"Settings","muteBtnTooltipTxt":"Mute","unmuteBtnTooltipTxt":"Unmute","fullscreenBtnTooltipTxt":"Fullscreen","exitFullscreenBtnTooltipTxt":"Exit fullscreen","infoBtnTooltipTxt":"Show info","embedBtnTooltipTxt":"Embed","shareBtnTooltipTxt":"Share","volumeTooltipTxt":"Volume","playlistBtnClosedTooltipTxt":"Show playlist","playlistBtnOpenedTooltipTxt":"Hide playlist","facebookBtnTooltipTxt":"Share on Facebook","twitterBtnTooltipTxt":"Share on Twitter","googlePlusBtnTooltipTxt":"Share on Google+","lastBtnTooltipTxt":"Go to last video","firstBtnTooltipTxt":"Go to first video","nextBtnTooltipTxt":"Play next video","previousBtnTooltipTxt":"Play previous video","shuffleBtnOnTooltipTxt":"Shuffle on","shuffleBtnOffTooltipTxt":"Shuffle off","nowPlayingTooltipTxt":"NOW PLAYING","embedWindowTitle1":"SHARE THIS PLAYER:","embedWindowTitle2":"EMBED THIS VIDEO IN YOUR SITE:","embedWindowTitle3":"SHARE LINK TO THIS PLAYER:","lightBox":false,"lightBoxAutoplay":false,"lightBoxThumbnail":"","lightBoxThumbnailWidth":400,"lightBoxThumbnailHeight":220,"lightBoxCloseOnOutsideClick":true,"onFinish":"Play next video","autoplay":false,"loadRandomVideoOnStart":"No","shuffle":"No","playlist":"Off","playlistBehaviourOnPageload":"opened (default)","playlistScrollType":"light","preloadSelfHosted":"none","hideVideoSource":true,"showAllControls":true,"rightClickMenu":true,"autohideControls":2,"hideControlsOnMouseOut":"No","nowPlayingText":"Yes","infoShow":"Yes","shareShow":"No","facebookShow":"Yes","twitterShow":"Yes","mailShow":"Yes","facebookShareName":"Bill Evans - An Insight Into A Genius. All three had won the Down Beat poll. Bill was thought to be too young for lessons, but he began to play what he had heard during his brother's,[10][11] and soon both were taking piano lessons. I have always admired your [Magee's] teaching as that rare and amazing combination – exceptional knowledge combined with the ability to bring that same knowledge, that lies deep within the student, to life. His friends and relatives believe that this event precipitated his own death the following year. Bill Evans: Everything Happens to Me: A Musical Biography. Did the age gap between them make a difference? 3 4 5. At the beginning of his career, Evans used block chords heavily. This was Evans's second album as a leader, since New Jazz Conceptions, recorded two years earlier. [19], Bill Evans talking about Gretchen Magee[6]. When Evans suggested he might deserve a share of the royalties, Davis offered him a check for $25. [10] During this time, Helen Keane began having an important influence, as she significantly helped to maintain the progress of Evans's career despite his self-destructive lifestyle, and the two developed a strong relationship. It had come almost automatically, and I was very anxious about it, afraid I might lose it. While he was burned out, one of the main reasons for leaving was his father's illness. "[15][51], Evans never allowed heroin to interfere with his musical discipline, according to a BBC record review article which contrasts Evans's addiction with that of Chet Baker. Bár Davis szerint Bill Evans volt az az igazi zongorista, akire szüksége van, mégis folyton éreztette vele lenézését. Between 1969 and 1970 Evans recorded From Left to Right, featuring his first use of electric piano. [9] As a result, Evans went back on heroin for a while, then got into a methadone treatment program. In December 1959 the band recorded its first album, Portrait in Jazz for Riverside Records. It's like death and transfiguration. Evans finally settled on Marc Johnson on bass and Joe LaBarbera on drums. According to Orrin Keepnews, the atmosphere during the recording sessions was tense, Evans and LaFaro having had an argument over extra-musical matters; in addition, Evans was complaining of headaches and LaFaro was playing with a loaned bass. He was 87 years old. [14][15] Soon he began to perform for dances and weddings throughout New Jersey, playing music like boogie woogie and polkas for $1 per hour. Although a critical success that gained positive reviews in Down Beat and Metronome magazines, New Jazz Conceptions was initially a financial failure, selling only 800 copies the first year. Bill Evans was driving himself evermore towards death’s door due to his adult substance uses of hard liquor, heroin and lastly cocaine which was so easily accessible. Wir haben unterschiedliche Hersteller untersucht und wir zeigen Ihnen als Interessierte hier alle Ergebnisse unseres Vergleichs. Laurie is a counterbalance for him which brings him a deep level of comfort and solace to his inner pain. When he re-formed his trio in 1962, two albums, Moon Beams and How My Heart Sings! You were certainly my biggest inspiration in college, and the seeds of the insights that you have sown, have in practice borne fruit many times over. [Quartet] Songtext von Bill Evans mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com In February 1958, Russell, at Miles Davis's urging, drove Evans over to the Colony Club in Brooklyn, to play with Davis' sextet. "While I was staying with my brother in Baton Rouge, I remember finding that somehow I had reached a new level of expression in my playing. [40], In September 1958, Evans recorded as a sideman in Art Farmer's album Modern Art, also featuring Benny Golson. [77], Evans's repertoire consisted of both jazz standards and original compositions. [62] The couple had problems booking in hotels during Evans's gigs, since most of them did not allow inter-racial couples. Other albums included The Tokyo Concert (1973); Since We Met (1974); and But Beautiful (1974; released in 1996), featuring the trio plus saxophonist Stan Getz in live performances from the Netherlands and Belgium. Gómez and Zigmund left Evans in 1978. [10] Both remained very close until his death. After returning in February, the band performed at the New York City Hall, and then settled at Birdland, Count Basie's headquarters. [50], Evans's heroin addiction increased following LaFaro's death. The result was his debut album, New Jazz Conceptions, featuring the original versions of "Waltz for Debby" and "Five". I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano. 59. These albums were live recordings from the same live date, and are often named among the best ever jazz recordings. [25] In July 1950, Evans joined Herbie Fields's band, based in Chicago. [31] During the Brandeis Festival, guitarist Joe Puma invited Evans to play on the album Joe Puma/Jazz. [10][63] Most of Evans's harmonies feature added note chords or quartal voicings. A legendás szextett egyetlen fehér tagja volt. He visited his brother, now in Baton Rouge, Louisiana, recently married and working as a conservatory teacher. However, when the album came out, the song was attributed exclusively to Davis. [50], During the late 1970s, Evans kicked his heroin habit, with the help of methadone, only to become addicted to cocaine. "[34] However, Evans and Davis kept in touch throughout their lives. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. I knew there and then he wasn't going to get away. In 1968, drummer Marty Morell joined the trio and remained until 1975, when he retired to family life. Another important influence was bassist George Platt, who introduced Evans to the theory of harmony. I'm of a certain period, a certain evolution. A performance of the Ballets Africains from Guinea, in 1958, had originally sparked Davis' interest in modal music. Evans influenced the character Seb's wardrobe in the film La La Land. [16] Around that time he also composed a piece called "Peace Piece". "[6], In August 1979, Evans recorded his last studio album, We Will Meet Again, featuring a composition of the same name written for his brother. I find that it's a refreshing auxiliary to the piano—but I don't need it (...) I don't enjoy spending a lot of time with the electric piano. [10] Evans performed a notable solo in "Concerto for Billy the Kid". [47], Music critic Richard S. Ginell noted: "With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. More Buying Choices $9.33 (15 used & new offers) Kindle $19.95 $ 19. He realized that Evans, who had worked with Russell, could follow him into modal music. All Bill Evans note-for-note transcriptions available in PDF (MIDI and etc). [29], In an interview given in 1964, Evans described Bud Powell as his single greatest influence. In 1960, he performed on singer Frank Minion's album The Soft Land of Make Believe, featuring versions of some of the Kind of Blue tunes with lyrics, along with Paul Chambers and Jimmy Cobb. Actually, if you play Bach and the voices sing at all, and sustain the way they should, you really can't play it with the wrong approach." Once the musicians were assembled, Davis gave brief instructions for each piece and then set about taping the sextet in studio. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. “Holly Room” by Somi & The Frankfurt Radio Big Band. "[41], Shortly after, he moved back to New York, and in December Evans recorded the trio album Everybody Digs Bill Evans for Riverside Records with bassist Sam Jones and drummer Philly Joe Jones. During a 1978 interview, Marian McPartland asked: At least during his late years, Evans's favorite keys to play in were A and E.[16] Evans greatly valued Bach's music, which influenced his playing style and which helped him gain good touch and finger independence. The band included trumpeter Jimmy Nottingham, trombonist Frank Rosolino and bassist Jim Aton. Why Did I Choose You? The piece came to be associated with Evans's future trios, which played it frequently. The cause of death was a combination of peptic ulcer, cirrhosis, bronchial pneumonia, and untreated hepatitis. Footnote: This year Laurie’s book is being translated into French and published in Paris by Jazz & Cie. You can also get a boxset of some privately recorded and previously unheard music of Bill’s in the form of vinyl for this edition which will be released in September 2019.

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